Clouds part for Paul Simon tribute
MARK LEPAGE and JOHN GRIFFIN
The Gazette
Wednesday, July 05, 2006
Singing the praises of a musical legend: Even clear weather made a guest appearance last night as musicians and thousands of fans packed the Place des Arts esplanade to honour Paul Simon at the jazz festival's tribute concert. Among the performers were Colin James, Holly Cole and Elvis Costello.
"Hello, darkness, my old friend," came the sonorous voice of Leonard Cohen over the heads of the Ste. Catherine St. masses.
And hello, miraculously clear night sky, and tens of thousands of friends old and young. The masses turned their collars to the damp, and the Tribute to Paul Simon concert was on.
The fury of yesterday's late-afternoon deluge had turned everyone associated with the Festival into a meteorological oddsmaker. Or a worrier.
Or a prayer.
The Ste. Catherine /PdA esplanade site had become an impromptu Umbrella City as the 9:30 showtime approached, with faces popping out from under and peering up anxiously at the skies.
But as Cohen's recorded tribute-reading of The Sound of Silence spoke for the communion between troubadour-statesmen, the festival's world-class run of luck held.
Whatever voodoo bones, juju or gris-gris event programmer Andre Menard has under his
jazzfest laminates, the gods smiled on him and his monumentally ambitious mid-festival blowout.
As Colin James emerged onstage to kick off the live music, the only thunder was in the resounding drums of The Obvious Child. Which was fitting, since the weather had gotten too much press. Fans had gathered not to prognosticate but to celebrate the pervasive legacy, and cross-generational appeal of Paul Simon. From Bookends through his pilgrimages to ends of the earth, he's been a representative of civilization in songwriting. More than a dozen performers from as many pop disciplines had literally come to sing his praises.
And the feeling in the crowd? They loved him like a rock.
Mannie and Sharna Young are Montrealers from N.D.G. "We're Paul Simon lovers," they said before the show.
"And the artists who are playing tonight are fabulous. We're from the era, we had every one of their albums. And still do. There was no doubt over coming. We're not afraid of the rain. We've got umbrellas."
Sahar Ghoshab is 17 years old. "I learned about Paul Simon from friends and parents of that generation and hearing it played in the house. I love the jazzfest in general, but was really attracted to this show."
And, it must be admitted, to Sam Roberts. "He brings a younger feel to the event." Weather? "Nothing could stop me. Montreal is the place to be in summer."
Beth Cumming is from Rawdon. "I wanted to bring my two daughters to the jazzfest," she said, riding herd on Madison, 10, and Mackenzie, 5. "They're country girls. I'm a city girl. I wanted them to see what their mother used to do.
"We pretty much came into town with this show in mind. It's free, it's Paul Simon songs, it's got Holly Cole and Bedouin Soundclash. Come on!"
James poured his energy into the irresistible Cecilia. He was succeeded by Holly Cole, seemingly born to sing Kodachrome.
Each successive performer in the kaleidoscope lineup fairly beamed to belt out a songbook seemingly encoded in our communal DNA.
Elvis Costello would declaim Peace Like A River and welcome "Monsieur Allen Toussaint" for American Tune.
Zachary Richard would Take Me to
the Mardi Gras and mock the weather with a Fat Tuesday umbrella.
Michel Rivard soared in America and a duet with Ariane Moffatt on The Boxer (and really, there should be an extra singer's chevron for the bravery in taking on the rampant melody of The Boxer).
Jim Cuddy? As clear of voice as the night sky had become. Kevin Parent, neo-saloon star Jamie Cullum with 50 Ways To Leave Your Lover.
Hometown rock 'n' roll hero Sam Roberts has been a Paul Simon fan for about as long as he's loved music. When he was asked to participate in the tribute show he said "Yes" before the question was out.
Earlier yesterday, he was hanging around the festival site, summer nut-brown, taut as steel cable and grinning like a kid behind his aviator shades.
"I'm used to playing with the same four scraggly guys all the time" he said, talking about his touring band.
"Now I'm playing with these, these, yeah, these session cats. That's what we call them. Session cats. Jazz cats (Dan Thouin and his band). Amazing."
It was. Why deny the obvious, child?
jgriffin@thegazette.canwest.com
50 ways to weave a cover
The Obvious Child - Colin James
Cecilia - Colin James
Mrs. Robinson - Holly Cole
Kodachrome - Holly Cole
Mother and Child Reunion - Bedouin Soundclash
Peace Like a River - Elvis Costello
American Tune - Allen Toussaint and Elvis Costello
Take Me to the Mardi Gras - Zachary Richard
America - Michel Rivard
The Boxer - Michel Rivard
Hazy Shade of Winter - Ariane Moffatt
Still Crazy After all These Years - Jim Cuddy
Homeward Bound - Jim Cuddy and Kevin Parent
Me and Julio Down by the Schoolyard - Kevin Parent
50 Ways To Leave Your Lover - Jamie Cullum
Loves Me Like a Rock - Jeri Brown and JB Pumped Singers of Montreal
Diamonds on the Soles of Her Shoes - Jeri Brown
Late in the Evening - Sam Roberts
You Can Call Me Al - Sam Roberts
Bridge over Troubled Water - Zachary Richard
The Sound of Silence - Daniel Lanois
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Peace Like a River
Paul Simon
Ah, peace like a river ran through the city
Long past the midnight curfew
We sat starry-eyed
Ooh, oh,we were satisfied
O-o-oh, And I remember
Misinformation followed us like a plague
Nobody knew from time to time
If the plans were changed
Oh, oh, oh, if the plans were changed.
You can beat us with wires
You can beat us with chains
You can run out your rules
But you know you can't outrun the history train
I seen a glorious day, aiee------
Ah, four in the morning
I woke up from out of my dreams
Nowhere to go but back to sleep
But I'm reconciled
Oh, oh, oh, I'm going to be up for a while
Oh, oh, oh, I'm going to be up for a while
Oh, oh, oh, I'm going to be up for a while
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From -
http://www.amazon.com/gp/product/B00024 ... nce&n=5174
Paul Simon -
Paul Simon
1972
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American Tune
Paul Simon
Many's the time I've been mistaken
And many times confused
Yes, and often felt forsaken
And certainly misused
But I'm all right, I'm all right
I'm just weary to my bones
Still, you don't expect to be
Bright and bon vivant
So far away from home, so far away from home
And I don't know a soul who's not been battered
I don't have a friend who feels at ease
I don't know a dream that's not been shattered
or driven to its knees
But it's all right, it's all right
We'be lived so well so long
Still, when I think of the road
we're traveling on
I wonder what went wrong
I can't help it, I wonder what went wrong
And I dreamed I was dying
And I dreamed that my soul rose unexpectedly
And looking back down at me
Smiled reassuringly
And I dreamed I was flying
And high up above my eyes could clearly see
The Statue of Liberty
Sailing away to sea
And I dreamed I was flying
We come on the ship they call the Mayflower
We come on the ship that sailed the moon
We come in the age's most uncertain hour
and sing an American tune
But it's all right, it's all right
You can't be forever blessed
Still, tomorrow's going to be another working day
And I'm trying to get some rest
That's all I'm trying to get some rest
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http://www.amazon.com/gp/product/B00024 ... nce&n=5174
There Goes Rhymin' Simon
Paul Simon
1973
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http://paul.simon.org/
![Image](http://paul.simon.org/blog/uploaded_images/poster_en-784627.jpg)
Posted by Beeg
Le son de Simon
Decent tribute at the jazz festival. Enjoyable, but hit and miss. A setlist and some first impressions
( extract)
Elvis Costello
Peace Like A River. First live performance by anyone ever? Maybe. Nice rendition. No crazy guitar solo. Elvis is a great interpreter of songs. Nicely done.
Elvis brings out Allen Toussaint for...
American Tune. Nice. Good acoustic guitar from the band. Drums were too much.
Elvis leaves and Allen introduces Zachary Richard.
They nail Take Me To The Mardi Gras. Richard's falsetto is great. Nice extended coda from the better than average horn section.
For the finale, some of the JB Pumped singers, who had been on a line up a flight of stairs that formed the back of the stage, came forward and did a slow, foot-tapping version of Slip Slidin' Away. They must have sang it three or four times, allowing the band to take a much-deserved bow, followed by all the performers (or most; I don't think I saw Elvis Costello). Lovely performance.