'Sparkling Day' by Elvis
Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
Elvis' site has this -
http://www.elviscostello.com/#/news/sou ... stello/213
On August 16th, 2011, Universal Music Enterprises (UMe) releases digitally the motion picture soundtrack for the new movie One Day, starring Anne Hathaway and Jim Sturgess. The soundtrack "One Day" features a brand new track written and composed exclusively for the movie by Elvis Costello; titled “Sparkling Day,” the song is only available on this soundtrack. Also included is a stellar roster of songs by a diverse group of artists from the last two decades; and plus selections from the original film score by Academy Award winner Rachel Portman (Emma, The Cider House Rules, Chocolat).
http://www.elviscostello.com/#/news/sou ... stello/213
On August 16th, 2011, Universal Music Enterprises (UMe) releases digitally the motion picture soundtrack for the new movie One Day, starring Anne Hathaway and Jim Sturgess. The soundtrack "One Day" features a brand new track written and composed exclusively for the movie by Elvis Costello; titled “Sparkling Day,” the song is only available on this soundtrack. Also included is a stellar roster of songs by a diverse group of artists from the last two decades; and plus selections from the original film score by Academy Award winner Rachel Portman (Emma, The Cider House Rules, Chocolat).
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Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
O dear. The Curse Of Costello?
'Review: ‘One Day’ Essentially An Overwrought Nicholas Sparks Movie With Dodgy English Accents'
http://blogs.indiewire.com/theplaylist/ ... ny_sparks/
'Review: ‘One Day’ Essentially An Overwrought Nicholas Sparks Movie With Dodgy English Accents'
http://blogs.indiewire.com/theplaylist/ ... ny_sparks/
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Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
I'm amazed at how the profile given to EC's name in promotion for this film. The ad I saw had a huge blurb, 'with original music by ELVIS COSTELLO' as though this were a huge marketing asset.
Elvis, it seems, occupies a very odd place in mainstream consciousness these days...hardly anyone seems to actually listen to his music, but his name has somehow re-acquired a vague star power. I think 'Spectacle' was the greatest career move in years for him; it established him the public mind as somebody of stature even as people blithely go on ignoring his actual work, leading to oddities like this use of his name as a significant promo tool for a movie. Weird.
Elvis, it seems, occupies a very odd place in mainstream consciousness these days...hardly anyone seems to actually listen to his music, but his name has somehow re-acquired a vague star power. I think 'Spectacle' was the greatest career move in years for him; it established him the public mind as somebody of stature even as people blithely go on ignoring his actual work, leading to oddities like this use of his name as a significant promo tool for a movie. Weird.
When man has destroyed what he thinks he owns
I hope no living thing cries over his bones
I hope no living thing cries over his bones
Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
I agree, Poor Deportee, and well put. It really is oddly skewed, isn't it, the relation between his reputation and his "popularity."
Usually when your reputation outruns your popularity, it is because of a bad reputation...
Usually when your reputation outruns your popularity, it is because of a bad reputation...
Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
The film's director, Lone Scherfig, talks about the song and Elvis here
http://blogs.wsj.com/speakeasy/2011/08/ ... daptation/
Speaking of music, how did you get Elvis Costello to write and perform a song for the film?
He’s very much a man of that period because his music was there through all these years. So it was logical to go to him. He saw the film and reacted by composing this song ["Sparking Day"]. He didn’t know it at the time, but the song had something that I had been looking for. As a marker track in the film, I had put in a simple folk song about a heartbreaking love, and he came back with a song that had those very elements. Later, he added a lot of effects to the song — some fun percussion and something that comes from someone who’s not that young anymore, someone who’s not afraid to have excess energy and a generosity that makes the song sparkle in a fun way. I’ve actually never met him. All of our correspondence has been over email. But I love that track. I love that he’s unpretentious and it come right from his heart. I hope to see him at some point.
http://blogs.wsj.com/speakeasy/2011/08/ ... daptation/
Speaking of music, how did you get Elvis Costello to write and perform a song for the film?
He’s very much a man of that period because his music was there through all these years. So it was logical to go to him. He saw the film and reacted by composing this song ["Sparking Day"]. He didn’t know it at the time, but the song had something that I had been looking for. As a marker track in the film, I had put in a simple folk song about a heartbreaking love, and he came back with a song that had those very elements. Later, he added a lot of effects to the song — some fun percussion and something that comes from someone who’s not that young anymore, someone who’s not afraid to have excess energy and a generosity that makes the song sparkle in a fun way. I’ve actually never met him. All of our correspondence has been over email. But I love that track. I love that he’s unpretentious and it come right from his heart. I hope to see him at some point.
Last edited by John on Wed Aug 17, 2011 4:17 pm, edited 1 time in total.
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Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
I don't know what it's like for you but when I tell people I'm going to see EC some of them say "Is he still going?"Poor Deportee wrote:I'm amazed at how the profile given to EC's name in promotion for this film. The ad I saw had a huge blurb, 'with original music by ELVIS COSTELLO' as though this were a huge marketing asset.
Elvis, it seems, occupies a very odd place in mainstream consciousness these days...hardly anyone seems to actually listen to his music, but his name has somehow re-acquired a vague star power. I think 'Spectacle' was the greatest career move in years for him; it established him the public mind as somebody of stature even as people blithely go on ignoring his actual work, leading to oddities like this use of his name as a significant promo tool for a movie. Weird.
The Sparkling Day song is OK. It'll be interesting, as has more or less already been said, to see if the song sells given that it's at the end of the film.
I remember posting about how "She" was released far too late. If it had been released when the film was released it would have propelled EC back into the mainstream. It didn't do him too much harm though as it enabled him to do Part 2 of a UK tour if I remember correctly and allowed him to roll his eyes upward when he played it!
Who’s this kid with his mumbo jumbo?
Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
This is the correct link for the interview John - your's goes to this forum-The film's director, Lone Scherfig, talks about the song and Elvis here
posting.php?mode=reply&f=2&t=8872
http://blogs.wsj.com/speakeasy/2011/08/ ... daptation/
Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
http://movies.nytimes.com/2011/08/19/mo ... eview.html
(extract)
Being British, the two main characters — their names are Emma and Dex, and they are played by Anne Hathaway and Jim Sturgess — identify that square on the calendar as St. Swithin’s Day, which their American Gen-X counterparts may be more likely to know from the lovely, lovelorn Billy Bragg song of the same name.
As far as I could tell, that tune is not heard on the soundtrack, though much else is, including a lush, swooning, deliciously anachronistic orchestral score by Rachel Portman and a handful of period-appropriate numbers. By the final credits, as a song by Elvis Costello drowns out the snifflings of the audience — late-season allergies? mourning for lost youth? (spoiler redacted?) — the structural principle of the movie may at last become clear. Though it was adapted from a best-selling novel (by David Nicholls, who wrote the screenplay), “One Day” is less a conventional story than a mixtape.
(extract)
Being British, the two main characters — their names are Emma and Dex, and they are played by Anne Hathaway and Jim Sturgess — identify that square on the calendar as St. Swithin’s Day, which their American Gen-X counterparts may be more likely to know from the lovely, lovelorn Billy Bragg song of the same name.
As far as I could tell, that tune is not heard on the soundtrack, though much else is, including a lush, swooning, deliciously anachronistic orchestral score by Rachel Portman and a handful of period-appropriate numbers. By the final credits, as a song by Elvis Costello drowns out the snifflings of the audience — late-season allergies? mourning for lost youth? (spoiler redacted?) — the structural principle of the movie may at last become clear. Though it was adapted from a best-selling novel (by David Nicholls, who wrote the screenplay), “One Day” is less a conventional story than a mixtape.
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Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
Thus far, a horrible 31% on the Tomato meter regarding all critics and a worse 27% with Top Critics (formerly known as Cream of the Crop). However, it is early.
Roger Ebert does give it it a positive review, though, as did Tony Scott (his review was the one above):
http://www.rogerebert.com/apps/pbcs.dll ... 983/-1/RSS
(no mention of Costello in the review, but that is no surprise)
Roger Ebert does give it it a positive review, though, as did Tony Scott (his review was the one above):
http://www.rogerebert.com/apps/pbcs.dll ... 983/-1/RSS
(no mention of Costello in the review, but that is no surprise)
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Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
Somewhat promising here with AO Scott of the NY Times and rather wickedly funny in his review[as usual].
http://movies.nytimes.com/2011/08/19/mo ... ref=movies
There is this mention which is quite amusing:
"Being British, the two main characters — their names are Emma and Dex, and they are played by Anne Hathaway and Jim Sturgess — identify that square on the calendar as St. Swithin’s Day, which their American Gen-X counterparts may be more likely to know from the lovely, lovelorn Billy Bragg song of the same name.
As far as I could tell, that tune is not heard on the soundtrack, though much else is, including a lush, swooning, deliciously anachronistic orchestral score by Rachel Portman and a handful of period-appropriate numbers. By the final credits, as a song by Elvis Costello drowns out the snifflings of the audience — late-season allergies? mourning for lost youth? (spoiler redacted?) — the structural principle of the movie may at last become clear. Though it was adapted from a best-selling novel (by David Nicholls, who wrote the screenplay), “One Day” is less a conventional story than a mixtape."
And I do l find his final comment, equally amusing, as well-
"On the other hand, you might cringe to see the film’s wit and delicacy ruined by maudlin excess and wish you could remix the tape to get rid of that song you always hated."
http://movies.nytimes.com/2011/08/19/mo ... ref=movies
There is this mention which is quite amusing:
"Being British, the two main characters — their names are Emma and Dex, and they are played by Anne Hathaway and Jim Sturgess — identify that square on the calendar as St. Swithin’s Day, which their American Gen-X counterparts may be more likely to know from the lovely, lovelorn Billy Bragg song of the same name.
As far as I could tell, that tune is not heard on the soundtrack, though much else is, including a lush, swooning, deliciously anachronistic orchestral score by Rachel Portman and a handful of period-appropriate numbers. By the final credits, as a song by Elvis Costello drowns out the snifflings of the audience — late-season allergies? mourning for lost youth? (spoiler redacted?) — the structural principle of the movie may at last become clear. Though it was adapted from a best-selling novel (by David Nicholls, who wrote the screenplay), “One Day” is less a conventional story than a mixtape."
And I do l find his final comment, equally amusing, as well-
"On the other hand, you might cringe to see the film’s wit and delicacy ruined by maudlin excess and wish you could remix the tape to get rid of that song you always hated."
"....there's a merry song that starts in 'I' and ends in 'You', as many famous pop songs do....'
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Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
A few favourable reviews, but no mention of Elvis :
http://www.sfgate.com/cgi-bin/article.c ... 1KNSDR.DTL
http://www.usatoday.com/life/movies/rev ... gess_n.htm
http://www.miami.com/039one-day039-pg-13-article
http://www.sfgate.com/cgi-bin/article.c ... 1KNSDR.DTL
http://www.usatoday.com/life/movies/rev ... gess_n.htm
http://www.miami.com/039one-day039-pg-13-article
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Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
http://www.facebook.com/profile.php?id= ... 4&comments
'Check out this clip of Elvis Costello, who helped produce some of the music behind One Day, as he describes what a song can do for a film. '
'Check out this clip of Elvis Costello, who helped produce some of the music behind One Day, as he describes what a song can do for a film. '
Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
Very late to this party, but I quite like the track. It'll never make my top 40 EC tunes, but a nice change of pace from recent output. In fact, I like all of EC's film tracks to varying degrees:
My Mood Swings
God Give Me Strength
You Stole My Bell
She
I'm sure there are others too.
My Mood Swings
God Give Me Strength
You Stole My Bell
She
I'm sure there are others too.
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Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
The song's kind of a 'meh' to me. Very much a late-period Elvis song in its slightly precious lyrics and sentiment, it's also undercut somewhat by strained singing, an ailment from which I thought he was in recovery. Lots of appealing melodic ideas, though. A cover is in order if you ask me.
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I hope no living thing cries over his bones
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Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
Party Party.pophead2k wrote:Very late to this party, but I quite like the track. It'll never make my top 40 EC tunes, but a nice change of pace from recent output. In fact, I like all of EC's film tracks to varying degrees:
My Mood Swings
God Give Me Strength
You Stole My Bell
She
I'm sure there are others too.
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Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
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Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
I'll Never Fall In Love Again.
Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
Crawling to the USA
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Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
does "My Dark Life" count? was that a movie or a t.v. show?
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Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
tv, the x-files
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Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
Has everyone forgotten about "Seven Day Weekend"? (from "Club Paradise") with EC and The Attractions and Jimmy Cliff!
Plus all the instrumentals EC did for "Straight to Hell"? And "The Courier"?
Plus all the instrumentals EC did for "Straight to Hell"? And "The Courier"?
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https://www.paulinglis.org
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Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
yes we did Pope...good work. got a hunch there's probably another one or two also!
Re: 'Sparkling Day' by Elvis on soundtrack for 'One Day' Aug
Featuring , yet again, Docs link - 15,585 views so far!
http://www.nj.com/entertainment/music/i ... g_day.html
Song of the Day: 'Sparkling Day,' Elvis Costello
By Jay Lustig/The Star-Ledger The Star-Ledger
Monday, August 22, 2011
You would have never predicted it during his angry-young-man days, but Elvis Costello should now be considered one of the greatest crooners of his generation. He doesn't often work in a lushly romantic style, but when he does -- as on his 1998 album with Burt Bacharach, "Painted From Memory," or on his underrated 2003 album "North" -- the results have often been exceptional.
Check out a fine new song of his in this style: featuring his usual backing band, the Imposters, plus a string section that doesn't just add padding, but adds some drama of its own: "Sparkling Day," from the soundtrack of the new movie, "One Day."
http://www.nj.com/entertainment/music/i ... g_day.html
Song of the Day: 'Sparkling Day,' Elvis Costello
By Jay Lustig/The Star-Ledger The Star-Ledger
Monday, August 22, 2011
You would have never predicted it during his angry-young-man days, but Elvis Costello should now be considered one of the greatest crooners of his generation. He doesn't often work in a lushly romantic style, but when he does -- as on his 1998 album with Burt Bacharach, "Painted From Memory," or on his underrated 2003 album "North" -- the results have often been exceptional.
Check out a fine new song of his in this style: featuring his usual backing band, the Imposters, plus a string section that doesn't just add padding, but adds some drama of its own: "Sparkling Day," from the soundtrack of the new movie, "One Day."
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Thanks, but...
Thanks for posting the song, but let's be honest.
Elvis can do a lot better. This is worse than Sad About Girls.
I don't get it. The lyrics are shallow, and the voice performance is awful. The only kind of wonderful thing about it is some of the orchestral quirks.
How much did he get paid for this? He must be laughing all the way to the bank.
It doesn't make sense. How can this be such a bad piece just after his virtuoso vocal performace on National Ransom? He does so many great things with his voice on that recording...but in this recording he seems to be straining at every word.
Okay, I only listened once. Tell me it gets better.
Elvis can do a lot better. This is worse than Sad About Girls.
I don't get it. The lyrics are shallow, and the voice performance is awful. The only kind of wonderful thing about it is some of the orchestral quirks.
How much did he get paid for this? He must be laughing all the way to the bank.
It doesn't make sense. How can this be such a bad piece just after his virtuoso vocal performace on National Ransom? He does so many great things with his voice on that recording...but in this recording he seems to be straining at every word.
Okay, I only listened once. Tell me it gets better.