Elvis & Jenny Lewis 'Carpetbaggers' video (2008)

Pretty self-explanatory
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Who Shot Sam?
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Elvis & Jenny Lewis 'Carpetbaggers' video (2008)

Post by Who Shot Sam? »

Probably already been mentioned by one of the Foyles...
Jenny Lewis will release a solo album Acid Tongue on Warner Bros Records in September. This is the follow-up to her internationally acclaimed 2006 album Rabbit Fur Coat (Team Love Records). The album announcement comes just weeks after Jenny wrapped a world wide tour in support of Rilo Kiley's Under The Blacklight album (Warner Bros Records, 2007).

Some of Lewis' most steadfast collaborators appear on Acid Tongue: Johnathan Rice, Farmer Dave Scher, Jason Boesel, Jason Lader and M Ward. She also invited other notable musician friends into the fold, including Elvis Costello for a duet ("Carpetbaggers"), Chris Robinson (of The Black Crowes), Benji Hughes, Zooey Deschanel (of She & Him) & Vanessa Corbala (of Whispertown2000) on backing vocals, Paz Lenchantin (A Perfect Circle / The Entrance Band) and her sister Ana provided strings, Davey Faragher (of The Imposters) on bass, as well as Laurel Canyon's own Jonathan Wilson on guitar, and even members of Jenny's own family. Her sister Leslie Lewis provided backing vocals on two songs while her father, harmonica virtuoso Eddie Gordon makes a star turn on rumbling bass harp.

The all analog, no Pro-Tools sessions were all part of a shared aesthetic between Lewis, her producers, and her musician collaborators, working quickly and tracking her vocals entirely live and without embellishment. Recorded at Sound City Studios in Van Nuys, California in just 3 weeks, the album's tracks, disparate as they are, share a sparkling vitality; Lewis' voice has never sounded so expressive and the narratives have never been so hard-hitting and acerbic.
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johnfoyle
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Re: Elvis On New Jenny Lewis Album

Post by johnfoyle »

Er, yes! -

http://www.elviscostellofans.com/phpBB2 ... hilit=Rilo

Carpetbaggers


They come to town when the war is over
Dirty boots in the middle of the night
Trolling the bars, hitting on the soldiers
Boys give it up without a fight
They say, “Hey, boy, how about your place?
I know you really want to take me home”
Drop the bags off on the bedroom floor
They make love with the lights on, saying

“I’m a carpetbagger, baby
I’m coming to your town
I’m going to treat you kind (woo-hoo)
I’m going to rob you blind (woo-hoo)
I’ll smile all the time
Whoa, yeah
Whoa, yeah
Whoa, yeah

Sally could have had any one of the boys
But she couldn’t love no one she could not control
Friend of mine and her got married
I don’t hear too much from them anymore
Last I heard, he had a rope around his neck
Dragging around the grocery store
Carrying her bags and pushing down the aisles
Saying, “I ain’t got no home in this world anymore”

“I’m a carpetbagger, baby
I’m coming to your town
I’m going to treat you kind (woo-hoo)
I’m going to rob you blind (woo-hoo)
I’ll smile all the time
Whoa, yeah
Whoa, yeah
Whoa, yeah

They come to town when the party’s over
Books been written and truths been tried
They’ll take it all if the door’s left open
Steal the nose right from under your eyes

Singing, “I’m a carpetbagger, baby
I’m coming to your town
I’m going to treat you kind (woo-hoo)
I’m going to rob you blind (woo-hoo)
I’ll smile all the time
Whoa, yeah
Whoa, yeah
Whoa, yeah
Whoa, yeah


http://www.youtube.com/watch?v=ncG3skLK ... cG3skLKblc
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Re: Elvis On New Jenny Lewis Album

Post by johnfoyle »

From Uncut (Sept. 08)

The Uncut Playlist

10 Records were playing in the Uncut offices...

1. Jenny Lewis - Acid Tongue - Rough Trade
Wry Rilo Kiley front woman graduates to being a fully fledged lady of the canyons. With a little help from Chris Robinson, M Ward and , on a cracking duet called 'Carpetbaggers' , one Elvis Costello
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EarlManchester
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Re: Elvis On New Jenny Lewis Album

Post by EarlManchester »

Wikipedia has an entry for this, http://en.wikipedia.org/wiki/Acid_Tongue,

including the cover: Image
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Re: Elvis On New Jenny Lewis Album

Post by johnfoyle »

http://www.uncut.co.uk/blog/index.php?b ... =1#more916

Jenny Lewis: "Acid Tongue"

2008-08-19 11:57:18

I received an email a while back from an Uncut writer who’d just played “Acid Tongue” for the first time. “I can reveal that on this Jenny Lewis,” they wrote, “her father gets it in the neck, in the way her mother got it in the neck last time... pretty good.”

And they were right. We’ve been living with Lewis’ second album for a while here at Uncut and initially, I must admit, it felt like something of a letdown after the excellence of 2006’s “Rabbit Fur Coat”. For a start, the empathetic harmonies of The Watson Twins were nowhere to be found (evidently pursuing their own career, I suppose, though that album from a month or two back was a really severe disappointment). In their place came a fuller band sound, a bunch more LA scenesters and the odd superstar cameo: Elvis Costello, for instance, provides a very different, much more jarring harmonic counterpoint to Lewis on “Carpetbaggers”.

Some weeks on, I’m still not convinced that “Acid Tongue” is quite in the same class as its predecessor, but it does feel like another strong record, nevertheless. Perhaps the best way to think of it is as an extrapolation of the first album’s gang’s-all-here cover of “Handle With Care” rather than the more intimate country gospel of, say, “Rabbit Fur Coat”’s title track.

The vibes are very much getting-it-all-together-with-some-friends at home in Laurel Canyon, and I suppose the risk of complacency or self-indulgence must be pretty high. But fortunately, Lewis’ songs are strong enough to withstand wave after wave of collaborators – including (and I’m paraphrasing from the press release) Johnathan Rice, Chris Robinson, Zooey Deschanel, Paz Lenchantin, Costello, Davey Faragher from Costello’s band, the inevitable M Ward, and Lewis’ dad Eddie Gordon on “bass harp”. The general air of classy musical roistering that results is highly infectious.

It’s another side of LA to the Fleetwood Mac dreamworld that Lewis reconstructed on last year’s Rilo Kiley album, “Under The Blacklight” and one, I suspect, that she might be keener on perpetuating right now. The wise lady of the canyon image suits Lewis rather well, though her wry sense of humour suggests she might not share quite the idealism of some of her predecessors.

That said, “Acid Tongue” is hardly a folk record. As with Lewis’ solo debut, there’s a hefty debt to country here, which her voice suits perfectly. The title track, for instance, is a marvellous, moist-eyed confessional – though one with a chorus of “You know I’m a liar” – that recalls Bobbie Gentry. A bunch of piano-driven ballads, meanwhile, like “Bad Man’s World” and “Godspeed”, place Lewis neatly in the company of Joan As Police Woman, and the exceptionally rich and orchestrated “Trying My Best To Love You” is beautifully indebted to one of Joan Wasser’s main influences, Laura Nyro. It’s the showstopper here.

Elsewhere, there are twanging rockers like “The Next Messiah” and the rattling Costello duet, “Carpetbaggers”; “Jack Killed Mom”, a piano vamp that accelerates into a feisty gospel hoedown; and “See Fernando”, a formidably catchy country-pop song that could just conceivably have been the work of Rilo Kiley.

And it’s the presence of a few songs like this that may be, in terms of Lewis’ longer career, the most significant thing about “Acid Tongue”. “Rabbit Fur Coat”, with its precise intimacy, felt, for all its brilliance, like a boutique side-project. “Acid Tongue”, in contrast, is on a much bigger scale. You get the impression that this is where Lewis’ focus is now – that if Rilo Kiley still exist, then they’re far from her number one priority these days. Fine by me: as “Acid Tongue” proves, Jenny Lewis is better off on her own.
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Re: Elvis On New Jenny Lewis Album

Post by johnfoyle »

http://www.musicsnobbery.com/2008/08/pr ... ongue.html

Image

by musicsnobbery
August 21, 2008
Preview of the New Jenny Lewis Album, Acid Tongue

(extract)

Carpetbaggers-- Elvis Costello makes his mark on this track, and it's just a fantastic cameo from the legend. I think they might have gotten a time machine and gotten 1970s Elvis from This Year's Model.
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Re: Elvis On New Jenny Lewis Album

Post by johnfoyle »

Ms Lewis is touring Europe in October - I just got a ticket for her Dublin show on Oct. 19th.

http://www.ticketmaster.ie/artist/94782 ... der_search

http://www.jennylewis.com/
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Re: Elvis On New Jenny Lewis Album

Post by arcadecline »

You can listen to the whole record on the Jenny Lewis myspace page. Carpetbaggers sounds great! Everyone go listen to it!

http://profile.myspace.com/index.cfm?fu ... D=33871577

I hope the link works.
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Re: Elvis On New Jenny Lewis Album

Post by johnfoyle »

Thanks!

Cracking stuff .

Elvis is a bit high pitched, singing the verse -

Sally could have had any one of the boys
But she couldn’t love no one she could not control
Friend of mine and her got married
I don’t hear too much from them anymore
Last I heard, he had a rope around his neck
Dragging around the grocery store
Carrying her bags and pushing down the aisles
Saying, “I ain’t got no home in this world anymore


Elvis changes -

I don’t hear too much from them anymore

to

I don’t hear too much from him anymore
arcadecline
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Re: Elvis On New Jenny Lewis Album

Post by arcadecline »

I agree his vocals are a little higher than normal but I think it works. It kind of makes him sound the same age as Jenny Lewis. It must have been done on purpose because the vocals were recorded in the same studio as Momofuku yet the vocals on Momofuku are much more raw.
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Re: Elvis On New Jenny Lewis Album

Post by charliestumpy »

Thanks for link etc - sounds fine to me.
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Re: Elvis On New Jenny Lewis Album

Post by colrow26 »

Carpetbaggers played on BBC Radio 2 this morning, possible new Jenny Lewis single? Sounded really good
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Re: Elvis On New Jenny Lewis Album

Post by BlueChair »

Am loving this album.
This morning you've got time for a hot, home-cooked breakfast! Delicious and piping hot in only 3 microwave minutes.
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Re: Elvis On New Jenny Lewis Album

Post by migdd »

Yeah, it's growing on me quickly. I've listened to the streams on Jenny's Myspace. Can't wait to hear the real thing.
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Re: Elvis On New Jenny Lewis Album

Post by johnfoyle »

I've been listening to this album all morning at work and it's casting a spell on me. Lots of hooky sounds and pleasing harmonies. 'Next Messiah' is guitartastic stuff , with lots of tweaky sounds. Mr Feathers and Stella Hurt on 'fuku just have to have been recorded within hours/days of it, sharing a lot of sonic elements. Excellent stuff!
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Re: Elvis On New Jenny Lewis Album

Post by johnfoyle »

Hot Press ( Dublin)
Sept.24 '08


Lewis's Carols

From child actress to Rilo Kiley frontwoman to hanging out with Elvis Costello
and fundraising for Obama every day is Groundhog Day but when you're Jenny Lewis that's not necessarily a bad thing.

Words
Ed Power


It's 11.10am in Los Angeles, and Jenny Lewis has been awake for precisely two hours and thirty four minutes. “I wake every morning at 8.36,” says Lewis, in the breathy whisper that has set a thousand fanboy hearts aflutter. “Even if I’m in a completely dark room, I open my eyes and look at the clock and it’s 8.36, It totally sucks.”

Lewis, of the copper hair, big almond eyes and thrift store-princess chic, is recently returned from the Democratic Party convention in Denver, where she performed at an Obama fundraiser alongside Death Cab For Cutie’s Ben Cibbard and actress-turned-country rock moppet Zooey Deschanel (Lewis jokingly describes her as “the good witch to my wicked witch”).
“I wanted to go and see Obama speak at the Invescofield Stadium but there was a five-hour security line. You had like 85,000 people trying to get in there.”

Surely Lewis could have parlayed her indie maven status — copper fastened since her band Rilo Kiley scored a top ten hit last year — into an invite? She smiles:“Believe me, it’s not like I didn’t try. But the sheer number of people who wanted to see him speak was phenomenal. So we did our show and watched him on TV. I was happy to be there and support him.”

Was she swept away by Obama?
“Oh, of course. After all, he’s speaking perfect sense. It’s time for a change. We need a changing of the guard. Eight years is long enough — we’ve done enough damage to the perception of the United States elsewhere. We need a new face. I just hope people get out there to vote and are brave enough to make this change."

When not cheerleading for the Hopemonger — Lewis also headlined a fundraiser for the candidate at Brooklyn’s McCarren Pool Park — the 32-year-old has been prepping her new solo album, the follow up to 2006’s Rabbit Fur Coat. Less overtly country-tinged and extravagantly maudlin than its predecessor, Acid Tongue is a rough and tumble travelogue that draws on Lewis’ childhood in the LA exurbs, early dalliances with drugs and her ‘year of madness’ promoting Rib Kiley’s major label smash, Under The Blacklight.

“But it’s not as if it’s all autobiographical,” she stresses. “There are songs there about going to prison and about killing people. I hope you believe me when I tell you I’ve never been to jail and I’ve never killed anyone”

Some of the material, she says, was inspired by the “post-traumatic stress” of turning 30. “We were touring Blacklight and I was having a difficult time in my life. I felt creatively empty. I knew I had to go to the studio and make another record. I needed to do it in a totally natural way, surrounded by my friends.”

“Friends” included not only Deschanel, Gibbard and singer M. Ward but also Lewis’ boyfriend, puppyish UK songwriter Jonathan Rice, and Elvis Costello lending his horndog rumble to a frisky duet called ‘Carpetbaggers’.
“I guess we go back a bit, which is a funny thing to say about Elvis Costello,” Lewis laughs. “A friend of mine passed on a copy of Rilo Kiley’s More Adventurous album to him and he dug it. Last year, I sent a YouTube video of me and Jonathan singing ‘Carpetbaggers’ while a sock-puppet mimed the chords. That was his only reference for the song before he came into the studio.”


http://www.youtube.com/watch?v=-hrjzkeiZAY

Full version -

http://www.downtowntv.com/puppet-music- ... ogize.html

Lewis recorded Acid Tongue over three weekends at her apartment in Silver Lake, LA’S pre-eminent yupster hangout. For the sessions she instituted a “no computer” role. Collaborators were instructed to leave their iPhone, BlackBerries and fancy laptops at the door.

“We did it straight to tape. No fancy technology was allowed in the room. No BlackBerries, no eBay purchases, no MySpace or Twitter. just some beat up instruments and a bunch of friends.”

She needed to cut herself off from the outside world, she says, after the relentless promotional drive that accompanied Backlight. Going out to bat for the album meant raking over the embers of her relationship with the band’s guitarist, Blake Sennett. The couple had split years previously, but keen to pitch Rilo Kiley as a hipster Fleetwood Mac, their label had played up their “doomed” romance. Frankly, it got a little old.

“I don’t censor my lyrics when I’m writing them but sometimes in retrospect, I wish I had,” she sighs. “You write something and then, six months later, you have all these journalists asking you about it.”

Though a picture of apple-pie wholesomeness, Lewis isn’t afraid to get potty-mouthed when it comes to lyrics. She believes this is a reflection of her somewhat gritty upbringing. She was born in Las Vegas, where her parents were part of a vaudeville troupe (“it featured harmonica players and a little person and it got them an appearance on the Ed Sullivan show and a meeting with the Queen of England”). When the act finished so did the marriage — her mother moved the family to the San Fernando valley, the sprawling Los Vegas suburb that also happens to be capital of the US porn industry.

“I grew up surrounded by seedy eccentrics,” Lewis notes. “I think that’s why my songs are the way they are — they’re influenced by characters I met at a very young age. On Under The Blacklight especially I think I was writing about my childhood to an extent. Not that I was exposed to anything too hardcore. I didn’t realise the porn industry was there until I was older. Crowing up, as far as I was concerned, I lived next door to a second-hand car dealership. Of course there was also a sex shop across the road but that didn’t strike me as weird until I walked past it every day on the way to junior high.”

Lewis stumbled into rock and roll in her 20s, after a decade plus career as a child actress.

“Acting doesn’t really appeal to me any more,” she admits. “I guess I’m a bit of a control freak. I need to be in command of what I’m doing.”
Still, though she may have finished with cinema, it seems cinema isn’t finished with her. Widely heralded as one of the worst movies ever made, the 1988 teen drama The Wizard — in which Lewis plays tweeny girlfriend to a video game geek — has lived in a ghastly afterlife as a cult favourite (it’s huge among the LA stoner demographic).

“I haven’t seen that movie in a long time,” she laughs. “Though I do remember uttering the memorable line, ‘He touched my breasts.’ Wow — it’s like it was a completely different life.”

Acid Tongue gets a live outing in The Button Factory, Dublin on October 19.
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Re: Elvis On New Jenny Lewis Album

Post by johnfoyle »

http://entertainment.timesonline.co.uk/ ... 765448.ece
The Times (London)
September 20, 2008

The Big CD: Jenny Lewis - Acid Tongue

Sophie Harris

So how has she done it? Made the leap from pretty-good, pretty-voiced, pretty-faced indie popster to knock-your-socks-off soul singer and classic songwriter? A former teen actress, Jenny Lewis is famed in the US for fronting the band Rilo Kiley. But for all their commercial success, Rilo Kiley's sheeny guitar sounds never hinted at the grown-up brilliance of this, Lewis's second solo album.

Well, a meanie might suggest that it is thanks to the quality of Lewis's collaborators. Check the roll call. For “authenticity” and warm, rootsy vibes, Portland's M. Ward takes on the co-production duties, keeping these arrangements rehearsal-room clear. For rock chops, the Black Crowes man Chris Robinson popped by, as did the Hollywood starlet (and bezzie mate) Zooey Deschanel.

And for ultimate credibility, Elvis Costello guests on the single Carpetbaggers. But that gnarly, urgent singing - surely it's Lewis who is bringing out the best in Costello rather than the other way round?

In any case, what makes Acid Tongue so compelling is that, guests or no, it is clearly Lewis's baby. There is the songwriting for starters, leagues ahead of anything that she has done in the past; the verses in the title track tickle and tease so that you are practically salivating for the chorus.

And, crucially, on all these songs Lewis sings as though she means it. Hers is not a straightahead soul voice, but listen to the way that she sings Bad Man's World - a slinky mêlée of quivering strings and clipped guitars with reverbed cooing that recalls Minnie Ripperton's sublime Les Fleurs - and Lewis's girlishness just serves to supercharge the line “I'm a bad, bad girl”.

The same goes for her country outings - there is no yodelling or Parton-style vocal quivers, but on songs such as Jack Killed Mom, a piano number, Lewis channels the chutzpah of Loretta Lynn. The record closes with the lovely Sing a Song for Them. Carried on a gentle, heart-melting piano refrain, it is so simple it seems a wonder that Carole King didn't write it.

Already there is talk that Acid Tongue might spell the end for Rilo Kiley. But ultimately such speculation is far less interesting than the record itself - a treat from start to finish.
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Re: Elvis On New Jenny Lewis Album

Post by littletriggers »

I picked up this weeks N.M.E. only to read a Jenny Lewis review written by a Sam Richards, to the tune of,

"On the mordant 'Carpetbaggers', the contrast with guest singer Elvis Costello's vicious, reedy snarl borders on ridiculous,"

There was a time when the N.M.E. wrote about the god like genius of EC so this was a disappointment from a young pup.
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Re: Elvis On New Jenny Lewis Album

Post by johnfoyle »

More reviews-

http://www.villagevoice.com/2008-09-23/ ... -costello/

http://tampa.creativeloafing.com/gyroba ... oid=520401

http://www.washingtontimes.com/news/200 ... and-clear/

and this feature -


http://www.latimes.com/entertainment/ne ... 0993.story

(extract)

This drive to try new approaches is a quality Lewis shares with Costello, her onetime admirer (a few years back, he started declaring Lewis his favorite young songwriter) and current occasional collaborator. The alternative rock statesman proves a spirited duet partner on "Carpetbaggers," a Rice composition on "Acid Tongue." The session inspired Costello to make his 35th album, "Momofuku," upon which Lewis and her posse appear.


"On the day we finished my record he booked the studio for about a week and finished what would become 'Momofuku,' " Lewis said. "I was like, 'I'm backing him?' I truly can't believe it. And he's so cool. He's a chiller, that's what we'd say in Southern California."
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Re: Elvis On New Jenny Lewis Album

Post by johnfoyle »

http://www.pitchforkmedia.com/article/r ... cid-tongue

(extract)

The first minute or so of the shit-kicking "Carpetbaggers" is pretty thrilling, too, at least until Elvis Costello shows up to wheeze all over everything.
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John
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Re: Elvis On New Jenny Lewis Album

Post by John »

Much to my great surprise I heard Elvis on BBC Radio 2 this morning (on the Jenny Lewis track). Terry Wogan played the song and pointed out "the male vocalist" at the end of the song.

I really can't remember the last time I heard EC on the radio on a new track. It certainly improved my drive to work.
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Re: Elvis On New Jenny Lewis Album

Post by BlueChair »

I think Elvis sounds great on "Carpetbaggers." Not sure why some of the reviewers are giving him such a hard time.

I so would have picked up a copy of this album yesterday, but alas, its Canadian release was delayed by a week.
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Re: Elvis On New Jenny Lewis Album

Post by migdd »

I like Elvis' vocal on the track as well but it helps, I think, if you're a fan. He's using that high, wheezing, adenoidal voice that he has thankfully grown out of in the past 20 or so years. It is a bit of a shock hearing it next to Lewis' pitch-perfect silky tones. It doesn't help that he's not following the melody line very closely, almost singing off-key in a few spots. He sounds much better in the harmony parts.
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Re: Elvis On New Jenny Lewis Album

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Re: Elvis On New Jenny Lewis Album

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